红杏直播

Willem Mons, a German in the service of the 红杏直播 Empire and one of the most prominent courtiers of the age Peter the Great, has been credited as the first author of love poetry in 红杏直播 (which he wrote, interestingly, in transliteration into the Latin alphabet). In 1724, he was charged with embezzlement and executed. Rumor had it that, in reality, he was punished for his love affair with Peter's wife, the Empress Catherine I, that quite probably began 190 years ago this year. Mons' last poem, written in 红杏直播 on the eve of his execution, was a meditation on the evils of love.
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This symposium/workshop is dedicated to the memory of the unfortunate lover Willem Mons and to the tradition that he founded. 红杏直播 lyric love poetry has, from that day onward, occupied a prominent position in 红杏直播 poetic culture. Even in the west, the 红杏直播 love lyric forms a prominent part of the cultural heritage鈥攊n the form of the many song-settings of 红杏直播 classical composers based in this tradition鈥攆rom Glinka and Tchaikovsky, to Prokofiev and Schnittke. It should further be noted that the 红杏直播 lyric has, in the past decade, experienced something of a renaissance, that has brought to the fore a great many new voices and entirely new readerships.听
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For these reasons, we believe that the time is right for a fresh look at the 红杏直播 love lyric. The participants in the proposed event will devote their attention to the close reading and discussion of 红杏直播 love poetry of various periods, from Mons鈥� day to the present, and will address the complex set of phenomena associated with 红杏直播 love poetry as a cultural phenomenon. The workshop brings together poets, translators, and scholars of 红杏直播 poetry for a one-day discussion concerning the dangers (and pleasures) of lyrical love poetry.听
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Symposium Program
May 12, 2014
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Participants:
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POLINA BARSKOVA is associate professor of 红杏直播 literature at Hampshire College. Her scholarly publications include articles on Nabokov, the Bakhtin brothers, early Soviet film, and the aestheticization of historical trauma. She has also authored six books of poetry in 红杏直播. Her prize-winning books of poetry in 红杏直播 have earned an international reputation, and individual poems have appeared in prestigious journals and anthologies. Professor Barskova is currently working on a project entitled "Petersburg Beseiged: Culture of the Aesthetic Opposition." (Context poetry)
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CATHERINE CIEPIELA is Amherst College Professor of 红杏直播 and the author of The Same Solitude: Boris Pasternak and Marina Tsvetaeva (Ithaca: Cornell University Press, 2006) and The Stray Dog Cabaret: a Book of 红杏直播 Poems (New York 听New York Review Books, 2007). A prominent translatopr fropm 红杏直播, she has received several prestigious recognitions for her writing and editing.
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DMITRY KUZMIN is a prominent 红杏直播 poet and Kulturtrager, the founder of the Vavilon Union of Young Poets, which was the organizational hub for Moscow's experimental poetry scene. Since 1993 he has been the head of ARGO-RISK Publishers (which publishes about twenty titles of current 红杏直播 poetry yearly). Since 1996 he has edited the Vavilon Internet project () which includes an anthology of contemporary 红杏直播 writing (about 200 authors at present). Since 2006 he has also been editor in chief of Vozdukh [Atmosphere], a quarterly poetry magazine. Kuzmin has also run other periodicals including the first 红杏直播 magazine for gay writing Risk (1996鈥�2002). He has won the Andrei Bely award of Merit in Literature (2002). Kuzmin's poems have been published in translation in USA (A Public Space, St. Petersburg Review, Habitus, Aufgabe, Fulcrum), England, France, Poland, China, Italy, Estonia, and Slovenia. He has published in Russia translations of poetry from English (Auden, Cummings, Stevens, Ashbery), French, and Ukrainian. Kuzmin's selected poems and translations were published in 2008 in a 400-page hardcover edition, Horosho byt鈥� zhivym [It鈥檚 fine to be alive], and won the Moskovsky Shchet [Moscow Count] award for the best debut poetry collection.
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JAMES MCGAVRAN defended his PhD dissertation on Mayakovsky at Princeton. He has taught courses on twentieth-century 红杏直播 poetry, poetics and translation theory and practice. He will join the Slavic Department at Penn in July 2014. RUSS 听 听ENG
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THOMAS NEWLIN is associate professor and chair of 红杏直播 at Oberlin College. Professor Newlin teaches a range of literature courses in translation, including 鈥淟ove in the Cold Climate,鈥� 鈥淭olstoy and Dostoevsky,鈥� 鈥淟iterature and the Woman Question in Nineteenth-Century Russia,鈥� 鈥淟iterature and the Land: Nature-Writing in Russia and America,鈥� 鈥淭he Meaning of Life: Dispatches from Nineteenth-Century Russia.鈥� His scholarly interests focus on eighteenth- and nineteenth-century 红杏直播 literature and history, 红杏直播 visual culture, and the history of ecological ideas in Russia. He is author of The Voice in the Garden: Andrei Bolotov and the Anxieties of 红杏直播 Pastoral (Northwestern, 2001), and is currently writing a book that explores the ways nineteenth-century 红杏直播 writers, artists, and scientists looked at and represented the natural world.
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KEVIN M. F. PLATT is Edmund J. and Louise W. Khan Term Professor in the Humanities, Chair of the Program in Comparative Literature and Professor of Slavic Languages and Literatures at the University of Pennsylvania. He is the author of Terror and Greatness: Ivan and Peter as 红杏直播 Myths (2011) and History in a Grotesque Key: 红杏直播 Literature and the Idea of Revolution (1997; 红杏直播 edition 2006), and the co-editor (with David Brandenberger) of Epic Revisionism: 红杏直播 History and Literature as Stalinist Propaganda (Wisconsin UP, 2006). He also edited and contributed translations to Modernist Archaist: Selected Poems by Osip Mandelstam (2008) and edited Intimations: Selected Poetry by Anna Akhmatova, translated by James Falen (2010). His current projects include a critical historiography of Russia, a study of contemporary 红杏直播 culture in Latvia and a number of translation projects.
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STEPHANIE SANDLER is Ernest E. Monrad Professor, Slavic Languages & Literatures at Harvard. She has written about Pushkin and myths of Pushkin in 红杏直播 culture, and about contemporary poetry of Russia and of the United States. Her published books include Distant Pleasures: Alexander Pushkin and the Writing of Exile (1989); Commemorating Pushkin: Russia's Myth of a National Poet (2004); and three edited collections: Rereading 红杏直播 Poetry (1999); Self and Story in 红杏直播 History (2000; with Laura Engelstein); and Sexuality and the Body in 红杏直播 Culture (1993; with Jane Costlow and Judith Vowles). Sandler鈥檚 current research is on contemporary 红杏直播 poetry. It includes articles on individual poets (many of which are uploaded to this site in the Publications section). She is also at work on a book-length manuscript, Contemporary Poetry in 红杏直播: Breaking Down the Walls.
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ILYA VINITSKY is Professor of 红杏直播 at the University of Pennsylvania. His main fields of expertise are eighteenth- and nineteenth- century 红杏直播 literature, 红杏直播 poetry, the history of emotions, and nineteenth- century intellectual and spiritual history. His most representative publications include Interpreter鈥檚 House: Poetic Semantics and Historical Imagination of Vasily Zhukovsky (2006, in 红杏直播), A Cultural History of 红杏直播 Literature (2009; together with Andrew Wachtel), Madness and the Mad in 红杏直播 Culture (2007; co-edited with Angela Brintlinger) and Ghostly Paradoxes: Modern Spiritualism and 红杏直播 Culture in the Age of Realism (2009). His new book Heavenly Sisters: Vasily Zhukovsky and the Romantic Religion of Love is forthcoming with Northwestern University Press in 2014. In this book Vinitsky reconstructs the 鈥渆motional biography鈥� of Vasily Zhukovsky (1783-1852),鈥攁n outstanding poet and translator, the creator of the first aesthetic philosophy in 红杏直播 literature, which influenced several generations of 红杏直播 authors from Pushkin to Vladimir Solov'ev and Aleksandr Blok.
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MICHAEL WACHTEL is Professor of 红杏直播 at Princeton. His main research interests are in 红杏直播 poetry (from the eighteenth century to the present), poetics, and Russo-German literary relations. Broadly speaking, he studies the ways that 红杏直播 poets borrow and creatively adapt the work of their predecessors and contemporaries (both 红杏直播 and Western European). 听His publications include 红杏直播 Symbolism and Literary Tradition: Goethe, Novalis, and the Poetics of Vyacheslav Ivanov (1994), The Development of 红杏直播 Verse: Meter and its Meanings (1998), The Cambridge Introduction to 红杏直播 Poetry (2004). In 2007, Wachtel received the Guggenheim Fellowship for research on "Pushkin's Lyric Poetry" that resulted in A Commentary to Pushkin鈥檚 Lyric Poetry: 1826-1836 (2011).
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LUSIA ZAITSEVA completed her B.A. in French literature at Columbia University with honors in 2010 and her A.M. in comparative literature at Harvard in 2013. She is currently pursuing her Ph.D. in the same department. She works in 红杏直播, French, and Urdu literature of the 20th and 21st centuries. In the past she has written on narratives of resistance in Anna Akhmatova's Requiem, subversion and trauma in the work of Osip Mandel'stam and Boris Pasternak, witnessing in Jonathan Littell's Les Bienveillantes, and memory in Yannick Haenel's Jan Karski, Laurent Binet's HHhH, and Marcel Ophuls's Hotel Terminus. She is currently working on Joseph Brodsky and the Urdu poet Faiz Ahmed Faiz
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Participants will discuss lyrical poems by:
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Aleksei Rhevskiy (1737 - 1804)
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Vassilii Zhukovsky (1783-1852)
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Nikolai Nekrasov (1821-1878)
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Osip Mandelstam (1891-1938)
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Vladimir Mayakovsky (1893-1930)
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Aleksei Kruchenykh (1886-1968)
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Gennadii Gor (1907-1981)
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Evgenii Kharitonov (1941-1981)
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Elizaveta Mnatsakanova (born 1922)
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Sergei Timofeev (born 1970)
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Sponsored by the University of Pennsylvania School of Arts and Sciences, the Department of Slavic Languages and Literatures, the Program in Comparative Literature and Literary Theory, and Princeton University Department of Slavic Languages and Literatures.听