
EUTERPE IN FURS: RUSSIAN MUSICAL CULTURE OF THE NINETEENTH AND TWENTIETH CENTURIESÌý
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March 4-5, 2004
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Ìý"ºìÐÓÖ±²¥ Musical Culture of the Nineteenth and Twentieth Centuries" is a two-day symposium devoted to the discussion of ºìÐÓÖ±²¥ music in its relations to literature, theater, visual arts, anthropology, social history, philosophy, and other relevant areas.Ìý
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Thursday, March 4, 7:30 pm
Penn Humanities Forum, 3619 Locust Walk
Concert of ºìÐÓÖ±²¥ chamber music for guitar by Oleg Timofeev
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Friday, March 5, 11:00 am
Max Kade Center, Room 329-A, 3401 Walnut Street
Symposium on ºìÐÓÖ±²¥ Musical CultureÌý
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Symposium ParticipantsÌý
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Boris Gasparov, Columbia UniversityÌý
"Farewell to the Enchanted Garden: Pushkin, Nicholas' s Russia, and Glinka's Ruslan and Ludmila."Ìý
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Oleg Timofeyev, University of IowaÌý
"The Complex Topography of Ruslan and Ludmila: Italian Opera, Exotic Neighbors, and Glinka's Search for `ºìÐÓÖ±²¥ Music'"Ìý
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Kevin Platt, University of Pennsylvania
"Ivan the Terrible in Opera, Arts, and Politics"Ìý
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David MacFadyen, UCLAÌý
"It Flooded the Room and Burst Through the Doors: Some Aspects of Music inÌý
Twentieth-Century ºìÐÓÖ±²¥ Storytelling"Ìý
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Caryl Emerson, Princeton UniversityÌý
"Shostakovich and the ºìÐÓÖ±²¥ Literary Tradition: Gogol-Dostoevsky"Ìý
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Simon Morrison, Princeton UniversityÌý
"Abram Room and Prokofiev's Unknown Film Score Tonya"Ìý
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Andrew Baruch Wachtel, Northwestern UniversityÌý
"Improving a Bad Text: Schnitke's Life with an Idiot"Ìý
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Discussants: Benjamin Nathans and Liliane Weissberg, University of Pennsylvania