红杏直播

The Thaw: Visual Culture and Beyond
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April 9, 2010
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During its seven-decade history, Soviet rule conditioned a changing aesthetics of power鈥攆rom the pioneering Constructivism of the early post-revolutionary period to the formulaic post-war Stalinist art to the 1970s nonconformist practices that subjected the official lexicon to ironic transformations. The object of numerous scholarly studies, museum exhibitions, and private collections, these artistic developments have enjoyed great popular and academic attention. However, the scholarly lens has not, to date, focused sufficiently on the specificity of art production in the period following Stalin鈥檚 death in 1953 and preceding the emergence of an artistic underground in the late 1960s and early 1970s, a period without which in the next decade the humorous, often ironic, sensibilities of dissenting movements such as Sots Art would not have been possible.
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This symposium is the first scholarly gathering to examine Soviet public culture and its visual manifestations in the so-called 鈥淭haw鈥� period, a singular moment of post-Stalinist liberalization during Nikita Khrushchev鈥檚 rise to power (1956-1964) when the country was experiencing unprecedented 鈥渨arming-up鈥� in all social and cultural spheres. Entitled 鈥淭he Thaw: Visual Culture and Beyond,鈥� the symposium provides an interdisciplinary approach to the study of Soviet propaganda, as well as popular and material culture during that decade vis-脿-vis everyday practices and in the context of the changing Party directives and means of social control. Moreover, the symposium brings to the fore the rarely explored gray area that lies between overt propaganda and private existence. Taken in their totality, the papers presented at the symposium highlight not only the efforts of the Soviet state to re-activate a dialogue with a populace alienated and desensitized by the years of Stalinist intimidation and heavy-handed political indoctrination, but also discloses the indelible and incurable presence of totalitarian political discourse that undergirded these tangible attempts to reach out to atomized Soviet citizens.
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The symposium is organized around original research papers, which will be pre-circulated to participants and audience members online. Speakers will deliver 30-minute presentations, in which they will summarize their contributions and emphasize their central arguments after which general discussion will follow.听
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The symposium is held in conjunction with the exhibition 鈥淟aughing Matters: Soviet Propaganda in Khruschev鈥檚 Thaw, 1956-1964,鈥� which opens at Penn鈥檚 Arthur Ross Gallery on the same day and features a thematically coherent sample of political posters that testifies to the aesthetic shifts in political iconography and conjures Khrushchev鈥檚 programmatic economic reforms.听
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Participants and Abstracts:
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Benjamin Nathans is Professor of History at Penn. He is the author of Beyond the Pale: The Jewish Encounter with Late Imperial Russia (2002) and of numerous articles on 红杏直播, Soviet, and modern Jewish history. He is currently writing a history of the Soviet dissident movement and the idea of civil and human rights under late socialism.
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鈥淪ocialism demagnetized: new approaches to the post-totalitarian epoch of Soviet history鈥�
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Abstract: The talk will address the problem of historicizing the second half of the Soviet epoch, long overshadowed by the high drama and revolutionary violence of the first half.
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Stephen Norris is Associate Professor of History at Miami University (OH). He is the author of A War of Images: 红杏直播 Popular Prints, Wartime Culture, and National Identity, 1812-1945 (2006) and co-editor of Preserving Petersburg: History, Memory, Nostalgia (2008) and Insiders and Outsiders in 红杏直播 Cinema (2008). His forthcoming books are Blockbuster History: Movies, Memory, and Patriotism in the Putin Era and People of Empire: Lives of Culture and Power in 红杏直播 Eurasia, 1500-Present.听
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鈥淐old War Cartoons: Boris Efimov and the Fate of Stalinist Culture in the Thaw鈥澨�
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Abstract: This paper focuses on cartoonist Boris Efimov鈥檚 Thaw-era work and how the identification of enemies, a central component of Stalinist culture, survived after 1953.听
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Christina Kiaer teaches twentieth-century art at Northwestern University and specializes in 红杏直播 and Soviet art, the politics of the avant-garde, and feminist theory and art. Her book Imagine No Possessions: The Socialist Objects of 红杏直播 Constructivism appeared in 2005, as did an interdisciplinary volume of essays on Soviet cultural history that she co-edited with Eric Naiman, Everyday Life in Early Soviet Russia: Taking the Revolution Inside.听
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鈥淒eineka in the Thaw: 鈥淭he Artist of Modernity鈥澨�
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Abstract: Aleksandr Deineka had been an enormously popular official artist during the 1930s, in spite of the obvious modernist tendencies of his work. But he fell definitively out of favor in the hard-line crackdown in the arts that followed World War II, and from 1948 to 1957 there were few mentions of him in the art press, and he received only a modest number of commissions. The Thaw was therefore enormously significant for Deineka: he was granted a major solo exhibition in 1957, and exhibition reviews universally praised him as 鈥渢he artist of modernity.鈥� My talk will examine the significance of his rehabilitation in the context of the Thaw, and the relation of his so-called modernity to the larger problem of the modernism/Socialist Realism binary.听
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Robert Bird is Associate Professor at the University of Chicago. He is the author of 红杏直播 Prospero (2006) and two books on the film-maker Andrei Tarkovsky, Andrei Rublev (2004) and Andrei Tarkovsky: Elements of Cinema (2008). His translations of 红杏直播 religious thought include On Spiritual Unity: A Slavophile Reader (1998) and Viacheslav Ivanov鈥檚 Selected Essays (2001). His works in progress include The Soviet Imaginary and a book on Dostoevsky and narrative theory, provisionally entitled In Suspense.听
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鈥淒esigns of Spring: On the Natural Form of Developed Socialism鈥澨�
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Abstract: The paper discusses the contradictions manifest in the poster 鈥淕ood for neither village nor town,鈥� which takes a swipe at some of the more grotesque aspects of Stalinist science, specifically the speculative attempts at genetic engineering and how these contradictions help us to understand why Khrushchev鈥檚 Thaw never quite became a new spring.
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Edward Cohn is an assistant professor of history at Grinnell College. He earned his PhD from the University of Chicago in 2007 and is now revising his dissertation (about the post-war Soviet Communist party's system of internal discipline) for publication as a monograph.
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"Voluntarism and Coercion in Khrushchev's Communist Party"听
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Abstract: The paper investigates party initiatives under Khrushchev designed to encourage voluntary self-policing and the attempts of party leaders to inspire a new generation of Soviet citizens to become "fighters for Communism."听
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Richard E. Meyer is Associate Professor of Art History and Fine Arts, University of Southern California. He is the author of the award-winning book Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art.听
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鈥淲arhol in Kazakhstan鈥澨�
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Abstract: The paper views the legacy of Socialist Realism in the context of the 2000 Warhol retrospective that toured Eastern Europe, Russia, and Central Asia.
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Masha Kowell and Liliana Milkova Title: 鈥淟aughing Matters: Political Posters from the Thaw鈥� Abstract: Using the exhibition posters as a point of departure, the paper addresses the use of humor as a new indoctrination device in Soviet political iconography during the Thaw. Liliana Milkova is Curator of Academic Programs at Oberlin College. Masha Kowell is a Ph.D. Candidate in art history at the University of Pennsylvania.听
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Symposium Schedule
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April 9, 2010
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University of Pennsylvania, Max Kade Center (Room 329A), 3401 Walnut Street
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9 am Breakfast听
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9:30-10:30 Keynote speech
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鈥淪ocialism demagnetized: new approaches to the post-totalitarian epoch of Soviet history,鈥� Benjamin Nathans (University of Pennsylvania)
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10:45-11:00 Coffee Break
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11:00 鈥� 1:00 VISUAL CULTURE听
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鈥淒eineka in the Thaw: 鈥淭he Artist of Modernity,鈥� Christina Kiaer (Northwestern University) 听 听听
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鈥淐old War Cartoons: Boris Efimov and the Fate of Stalinist Culture in the Thaw,鈥� Stephen Norris (Miami University)
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鈥淟aughing Matters: Soviet Propaganda Posters in the Thaw," Masha Kowell and Lili Milkova (University of Pennsylvania and Oberlin College) 听
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Discussant: Kevin M.F. Platt (University of Pennsylvania)
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Chair: Christine Poggi (University of Pennsylvania)
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1:00 鈥� 2:00 Lunch听
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2:00 鈥� 4:00 BEYOND THE VISUAL
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鈥淒esigns of Spring: On the Natural Forms of Developed Socialism,鈥� Robert Bird (University of Chicago) 听
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"Voluntarism and Coercion in Khrushchev's Communist Party" Edward Cohn (Grinnell College) 听
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鈥淲arhol in Kazakhstan,鈥� Richard Meyer (University of Southern California)
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Chair: Devin Fore (Princeton University)
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Discussant: Liliane Weissberg (University of Pennsylvania)
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5:30 Exhibition Opening and Reception, Arthur Ross Gallery
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